Max Jacobim
Max Jacobim in the studio, before the turkey (handprint study), 2025

MJ / 001 · In residence

A painting
is a document
of pressure.

Studio Note — 001

Max Jacobim has not used a brush since the age of seven months. His paintings are made with the hand — cold-pressed, warmed briefly against the palm, and driven into the canvas at a controlled thirty-degree twist.

The technique cannot be reproduced by tool or by any other living practitioner. Each work is signed at the lower right with the fingerprint that made it.

Heart (Crimson, for a room)

On the easel · Seventeen hours, one session · Right index finger only

Heart (Crimson, for a room)

2025 · Cadmium red, warmed to body temperature, on unprimed linen · 220 × 200 cm · Reserved.

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The Discipline

A partial taxonomy.

The complete curriculum is not published. What appears here has been cleared by the studio for public reference.

01

Pressure control

Sustained load calibrated by pulse, not by scale.

02

Nail-edge scoring

The trailing edge of the nail as a secondary instrument.

03

Pigment temperature

Pigment is warmed in the palm to the temperature of a resting adult.

04

Rotational drag

A finger, entered at thirty degrees, twisted in a single unbroken motion.

05

Ceremonial preparation

The hand is prepared for eleven minutes before it is permitted to touch the surface.

Selected

Recent works

All works →
Max Jacobim, studio portrait

The Artist

The last living
practitioner.

Widely held to be the greatest living finger painter west of the Black Sea.

Jacobim was born in rural Pennsylvania in 1994 and, before his first birthday, was in Düsseldorf. He rejected the brush at seven months and has painted, since, only with the hand. The lineage of masters under whom he later studied in the Bernese Alps has, at their request, never been disclosed.

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On View & Upcoming

Exhibitions

Full exhibition history →
2026

A Field of Hands

Hauser & Wirth, Zurich · 14 Feb — 4 May 2026

Upcoming
2025

The Weight of Pigment

Gagosian, 24th Street, New York · Now on view

Current
2025

Nocturnes

Fondation Beyeler, Basel · 20 Sep 2025 — 11 Jan 2026

Current
2024

Jacobim: Hand to Ground

Mori Art Museum, Tokyo · Closed

Past
Installation view, Fondation Beyeler

Acquisition · By written introduction

Access to the work is not the same as ownership of it.
Both are handled privately, by the studio, by invitation.

Viewing room by appointment · Waitlist maintained · NDA available on request

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